After many emails I can now say that the classical music on this site is usable for Solo & Ensemble and there is a letter you may download which will show that you have the right to use the music for free.

To celebrate I have uploaded my arrangement the entire first Bach Suite (BWV 1007) to the site.  I have focused a lot on the  Anna Magdalena Bach manuscript.  I plan to do the other suites in the future.


Finally, I have gotten word that I am now on the list for musicians that are contacted when groups like the Trans-Siberian Orchestra are in town.

I have gotten confirmation that the music from my site can be used for Solo & Ensemble.  There are a couple things that must be done first.  The most important one is that I write a letter stating that the student has the write to perform the music.  For now I ask any student to contact me directly.  In the future I plan to have a letter available on the download page.  I am editing the music to say "For Solo Instrument" so there is no confusion.

There comes a time with every student where I must inform them that they have been taught the incorrect meaning of a breath mark.  Beginning orchestra music as well as books like Essential Elements have only perpetuated the misinformation.  Some people may argue that it can be both, but once you reach a more advanced level breath marks are never bow lifts (or I have yet to encounter one in my almost 20 years as a musician).  

A comma written above the staff in band or choir music indicates a breath.  If you were a trumpet player you would see that marking and know that it is a time you can stop the note short to breathe.  This is also the case in the string world, but it has become common practice to say that it means "bow lift."  We need to stop saying this since it only creates confusion later in the students life.  Yes string players can breathe whenever they please a breath mark is more of a style marking to add a breath of space between two notes.

As a violinist you can usually tell if the bow should be reset even without a breath mark written.

In the first three examples (a, b, and c) there are rests between the notes which give you time to reset your bow.  In the fourth example (d) there are no rests but it would only make sense to lift and reset the bow for each note.

In the first example (e) of this line you can see how a breath mark is utilized for a bow lift purpose.  What we need to realize is that the down bow marking is what tells us to lift the bow.  The breath mark just gives us a "breath" of time to lift the bow.  This can be very confusing for students when they encounter exempts f  and g if they have been taught that a breath mark IS a bow lift.  Both of those examples just want you to pause as if you were a wind player taking a breath.  

For students who are reading this just remember that a breath mark is not a bow lift.  Down bow markings and using good judgement while playing are what lets you know to reset the bow.  The better we explain musical concepts early in a students education the easier it will be later on.

I have finally added a CD to the album section.  Only physical copies are available at the moment.

I have also added my performance of the Forsyth Viola Concerto in the Audio/Video section.